Conceptual design in the exhibition activities of the theater and art museum: on the example of the National Center for Stage Costume and Scenography in Moulins, France and the Dali Theater and Museum in Spain
Abstract
The article explores the activities of two museums of theatrical and artistic profile: The National Center for Stage Costumes and Scenography in Moulins (France) and the Dali Theater Museum (Spain), which have a connection with both the theatrical and artistic thematic components that influence the formation of collections. A generalization of the conceptual ideas used in the construction of the expositions of theater and art museums made it possible to determine that they are similar, but differ in the uniqueness of self-expression of creative potential. Turning to the origins of the creation and the process of forming the considered art collections, the author focuses on the features of works and the subject world, exhibited and stored in funds, traces the features of the formation and development of certain topics in their structure. It is concluded that such museums have a special variety of technical forms and means of translating imaginative concepts, since the main instrument is the theatrical moment interacting with metaphor. Theater communication is a multi-level process that is implemented through the co-creation of the creators of the museum exposition and the co-creation of the audience. The author is interested in contrasting and interesting collections of two European countries.
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