Venezuelan Caribbean: Two Ars Poetica on the Afrovenezuelan Poetry Voice

  • Erasmo Rafael Ramírez Carrillo Universidad Nacional Experimental de las Artes - Venezuela
Keywords: Caribe, literatura, poesía, Negro, Venezuela.

Abstract

The Caribbean territory is a complex issue to define, due to its political, idiomatic, cultural and ethnic conformation. The following text presents a sample of such configuration. Several poems written by Venezuelan writers Manuel Rodríguez Cárdenas and Miguel James are reviewed. They assume the Afrovenezuelan man and woman as main characters for their poetry. They own a self-voice in order to fight for their liberation; their complexion is the reason for admiration and beauty. They belong to themselves; they recognize themselves as such and exalt their virtues. They do not have intermediates to express themselves. Their voices are authentic and listened to everywhere.

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Author Biography

Erasmo Rafael Ramírez Carrillo, Universidad Nacional Experimental de las Artes - Venezuela

Profesor en la Universidad Nacional Experimental de las Artes (UNEARTE) en las cátedras de Sonido y Análisis Cinematográfico.

References

JAMES, Miguel (2007). Mi novia Ítala come flores y otras novias. Mérida: Ediciones Mucuglifo.

RODRÍGUEZ CÁRDENAS, Manuel (1972). Tambor: poemas para negros y mulatos. Caracas: Ediciones de la Contraloría General de la República.

Published
2019-05-31
How to Cite
Ramírez Carrillo, E. R. (2019). Venezuelan Caribbean: Two Ars Poetica on the Afrovenezuelan Poetry Voice. Religación, 4(15), 152-157. Retrieved from https://revista.religacion.com/index.php/religacion/article/view/288