About the historical and contemporary integration of art works in the fine arts of Uzbekistan

  • Jumaniyazov Shihnazar Rahimberganovich National Institute of Art and Design - Uzbekistan

Resumo

The article expressed an opinion about the historical and current state of the works of the monumental painting of Uzbekistan. Since ancient times, the development of monumental art works presented data on its origin. In particular wall paintings. As we know, monumental painting is a type of monumental art. At the present stage, it is closely connected with architecture. This painting is applied directly to walls, arches, floors, ceilings, windows, etc. It can be either the dominant feature of an architectural monument or its decoration. However, this is the oldest type of painting. It has been known since the Paleolithic. Cave paintings, paintings in caves, created by primitive people, have been preserved on almost all continents. These monuments are very valuable, and sometimes the only source of information about the characteristics of cultures of different historical eras. The author analyzed the research and commentary of researchers on the historical and current state of the works of the monumental painting of Uzbekistan and presented them in this article.

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Biografia do Autor

Jumaniyazov Shihnazar Rahimberganovich, National Institute of Art and Design - Uzbekistan

Corresponding author. Head of the department “Great painting”, National Institute of Art and Design Named after Kamoliddin Behzod

Referências

Abdullaev, N. (2007) “History of Art of Uzbekistan” Tashkent. p.22-23

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Art of Uzbekistan. (2001) Tashkent.

Asia and Africa today, (2007) No. 2,4,6,8. - 80 p.

Karabaev, U. (2009) Culture. Tashkent. 251 p.

Komarov, A. A. (2000) Mural painting: Volume and space.

Karimov, I. A. (2008) “High spirituality is invincible force”, “Spirituality”. 136 p.

Pugachenkova G. (1987) From the artistic treasury. Middle East Toshkent.

Stepanov, G. P. (1984) “Compositional problems of the synthesis of arts.” Artist.

Siqueiros, D.A. (1952) “Composition on the administration building in the university campus, fragment. The combined technique of high relief, painting, mosaics made of natural stone, ceramics and metal tiles”.

Tormai, O. (1951) “Stone mosaics”.

The Big Encyclopedic Dictionary (1997) St. Petersburg “Norint”.

Publicado
2019-10-30
Como Citar
Rahimberganovich, J. S. (2019). About the historical and contemporary integration of art works in the fine arts of Uzbekistan. Religación, 4(20), 96-99. Recuperado de https://revista.religacion.com/index.php/religacion/article/view/478